Capoeira Luanda California
Professor  Macarrão

Capoeira history

Capoeira originated in Brazil in the 1600s. The only indigenous American martial art, it was developed by African slaves in Brazil. Capoeira began to take form amongst the community of slaves that worked on the sugar cane plantations, the docks and various other slave works. It became a strong weapon in the life and death struggle against their oppressors. When the owners of the sugar cane fields realized the power of capoeira, they began to punish those who practiced it, sometimes with death. Capoeiristas learned to camouflage the forbidden fight with singing and clapping as though it were simply entertainment. The fight was disguised behind the dance - a dance that could be as graceful as a panther and as treacherous as a snake. Mestre Bimba, with his good will and love of the art was able to take capoeira from being forbidden by law and transformed it into Brazil’s national sport. He along with Mestre Pastinha were the first to open schools and the capoeira tree grew, spreading its branches across the world.

 


Capoeira is an art form and self-defense; with strong aerobic and dance elements. It is a harmony of forces that gives you power, flexibility, endurance and self-discovery. Capoeira balances the body, soul and mind. It is a graceful, exciting art form that teaches you to be alert. The art keeps its strong traditions and enables you to break through limits, revitalizing you for everyday life.



Mestre Bimba is the father of Capoeira Regional (Hegee-oh-now). He was born Manuel dos Reis Machado in 1900; he was also born with the nickname “Bimba” as a result of a bet between his mother and the midwife about the sex of the baby. When he was born, the midwife cried “He is a boy! Look at his bimba [Penis]!”.


Bimba was taught Capoeira from the age of twelve by a ship’s captain, an African named Bentinho. Despite the intense pressure of Capoeira still being illegal, Bimba practiced and even demonstrated Capoeira, keeping the art alive. After performances for the governor of Bahía and even the president of Brazil, rather than being arrested, Bimba was given permission to open a recognized, legal school of Capoeira. In the old days, there was just one style of Capoeira—or it could equally be said that there was a style of Capoeira for every Capoeirista. Mestre Bimba codified what he called the “regional fight from Bahía”, with the goals of bringing Capoeira to the middle and upper classes and gaining respect for the art from the people of Brazil. He ensured his students wore clean, white uniforms and performed well in school, and gave them colored scarves to show rank, a system adopted after the Eastern martial arts’ colored belts.

Bimba made all of his students observe his academy’s rules:

  • Quit smoking
  • Quit drinking, alcohol is bad for your metabolism.
  • Do not show off your progresses to your friends outside the roda. Hold them back and surprise people with them in a fight.
  • Avoid conversation while training. Be quiet while in the academy and, by observing the other fighters, learn more.
  • Always practice the ginga.
  • Practice the fundamental exercises daily.
  • Do not be afraid to get close to your opponent. The closer you get, the more you will learn.
  • Keep your body relaxed.
  • It is better to get beat up in the roda than on the streets.

His students practiced choreographed sequences of attacks, defenses, and transitions to learn the moves. Bimba also introduced for the first time flips, throws, and sweeps to Capoera. He was strongly influenced in this by his father, a famous player of Batuque, a Brazilian game in which one player stands still while the other dances around him and whenever he is ready, throws any of a number of sweeps against the first who must react and try to keep his balance. Before Bimba, there were no sweeps in Capoeira.

Mestre Bimba almost single-handedly pulled Capoeira from a lowly-regarded street fight of hooligans in the eyes of Brazil’s government and empowered people up to a respected martial art form with new moves, an emphasis on athleticism, and – another important first for Capoeira – a rigorous and planned teaching method. The style he created is known as Capoeira Regional.

 

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